"Carlo Magno"

"Francesco in Visita a Montefalcone del Sannio"

"I Gemelli"

"Il Suonatore di Mandolino"

"Il Mattino"

"Il Richiamo"

"Il Vagabondo"

"L'Attesa"

"L'Ebreo"

"L'Uomo e lo Scarabeo"

In these years the pictorial topic appears, characterized from a technique and topics common to all the works. It appears in an impetuous way the human figure, figure of man or usually old woman, with somatic features outside the common canon of beauty, with an important gestural expressiveness. The acclimatization is fantastic and real to the same time, ends details and subjects that leak from the picture invading the pass-partout.